Produced by Portishead co-founder Geoff Barrow, this sharp-edged though undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Nevertheless, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single important plot development, but it results in a comically executed chaotic run on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
Game releases in British and Irish theaters from November 17.
